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Ângela Ferriera, Stone Free: drawings 1-5, 2012

Ângela Ferriera, Stone Free: drawings 1-5, 2012

Frank Benson | Turtle,bronze, detail, 2004–09

Frank Benson | Turtle,bronze, detail, 2004–09

ZoomInfo

Walking Benjamin’s Arcades, Paris, May 2013

Permalink (3 notes) Via: rebeccatravis

rebeccatravis:

Walking Benjamin’s Arcades, Paris, May 2013

rebeccatravis:

Walking Benjamin’s Arcades, Paris, May 2013

rebeccatravis:

Walking Benjamin’s Arcades, Paris, May 2013

rebeccatravis:

Walking Benjamin’s Arcades, Paris, May 2013

likeafieldmouse:

Matt Shlian - Recursive (2012) - Paper sculpture

Permalink (2,622 notes)Via: likeafieldmouse

likeafieldmouse:

Matt Shlian - Recursive (2012) - Paper sculpture

eyecager:

painted-bees:

tennine:

msg:

explore-blog:

Chuck Close on creativity

The rest of this quote is glorious as well:

“Inspiration is for amateurs — the rest of us just show up and get to work. And the belief that things will grow out of the activity itself and that you will — through work — bump into other possibilities and kick open other doors that you would never have dreamt of if you were just sitting around looking for a great ‘art idea.’ And the belief that process, in a sense, is liberating and that you don’t have to reinvent the wheel every day. Today, you know what you’ll do, you could be doing what you were doing yesterday, and tomorrow you are gonna do what you did today, and at least for a certain period of time you can just work. If you hang in there, you will get somewhere.”

Normally I dont reblog these things, but this has been especially true to me this year.

100%

Adding to this with Nick Cave’s quote

“Inspiration is a word used by people who aren’t really doing anything. I go into my office every day that I’m in Brighton and work. Whether I feel like it or not is irrelevant.” Inspiration is nice, but if you only work when it strikes, you’re going to be an unhappy artist. This is especially true if you want to earn a living at it; you don’t hear about surgeons getting “surgeon’s block” or garbage men getting “garbage men’s block.” There are assuredly days when the surgeon doesn’t want to be removing gall-bladders, but she does it anyway, because that’s her job.”

Oh this is extra excellent.

Permalink (7,950 notes)Source: explore-blog Via: neon-fruit-supermarket

e1n:

eyecager:

painted-bees:

tennine:

msg:

explore-blog:

Chuck Close on creativity

The rest of this quote is glorious as well:
“Inspiration is for amateurs — the rest of us just show up and get to work. And the belief that things will grow out of the activity itself and that you will — through work — bump into other possibilities and kick open other doors that you would never have dreamt of if you were just sitting around looking for a great ‘art idea.’ And the belief that process, in a sense, is liberating and that you don’t have to reinvent the wheel every day. Today, you know what you’ll do, you could be doing what you were doing yesterday, and tomorrow you are gonna do what you did today, and at least for a certain period of time you can just work. If you hang in there, you will get somewhere.”

Normally I dont reblog these things, but this has been especially true to me this year.

100%

Adding to this with Nick Cave’s quote
“Inspiration is a word used by people who aren’t really doing anything. I go into my office every day that I’m in Brighton and work. Whether I feel like it or not is irrelevant.” Inspiration is nice, but if you only work when it strikes, you’re going to be an unhappy artist. This is especially true if you want to earn a living at it; you don’t hear about surgeons getting “surgeon’s block” or garbage men getting “garbage men’s block.” There are assuredly days when the surgeon doesn’t want to be removing gall-bladders, but she does it anyway, because that’s her job.”

Oh this is extra excellent.

ZoomInfo

Anatomy of a Chinese City via Archdaily

In cities around the globe, change happens almost instantly. Buildings rise, buildings disappear, and skylines morph before one’s eyes. There is no better example of this, of course, than China. From Ordos to Shanghai, Chinese cities are in a constant state of flux, as the Chinese people willfully abandon signs of the past and embrace the new.

Of course, it’s one thing to know this fact; it’s quite another to witness it firsthand, to experience this urgent impetus to demolish and demolish in order to build, build, build, and build. In the face of such large-scale, exponential urban development, it’s easy to feel powerless to suggest another path.

However, in publishing Anatomy of a Chinese City, that is exactly what two young architects have done. By taking the time to observe the “urban artifacts” that make a Chinese city unique, compiling over 100 drawings of everything from buildings to bicycles, Thomas Batzenschlager and Clémence Pybaro have preserved a piece of Chinese history that is quickly going extinct.

In a world where, in the race for progress, quotidian realities are erased unthinkingly, Anatomy of a Chinese City is not just a resource, but a call-to-action, reminding us to slow down and observe the very human context that surrounds us.

Permalink (716 notes) Source: ryanpanos Via: praxismakesperfect

ryanpanos:

Anatomy of a Chinese City via Archdaily
In cities around the globe, change happens almost instantly. Buildings rise, buildings disappear, and skylines morph before one’s eyes. There is no better example of this, of course, than China. From Ordos to Shanghai, Chinese cities are in a constant state of flux, as the Chinese people willfully abandon signs of the past and embrace the new.
Of course, it’s one thing to know this fact; it’s quite another to witness it firsthand, to experience this urgent impetus to demolish and demolish in order to build, build, build, and build. In the face of such large-scale, exponential urban development, it’s easy to feel powerless to suggest another path.
However, in publishing Anatomy of a Chinese City, that is exactly what two young architects have done. By taking the time to observe the “urban artifacts” that make a Chinese city unique, compiling over 100 drawings of everything from buildings to bicycles, Thomas Batzenschlager and Clémence Pybaro have preserved a piece of Chinese history that is quickly going extinct.
In a world where, in the race for progress, quotidian realities are erased unthinkingly, Anatomy of a Chinese City is not just a resource, but a call-to-action, reminding us to slow down and observe the very human context that surrounds us.

ryanpanos:

Anatomy of a Chinese City via Archdaily
In cities around the globe, change happens almost instantly. Buildings rise, buildings disappear, and skylines morph before one’s eyes. There is no better example of this, of course, than China. From Ordos to Shanghai, Chinese cities are in a constant state of flux, as the Chinese people willfully abandon signs of the past and embrace the new.
Of course, it’s one thing to know this fact; it’s quite another to witness it firsthand, to experience this urgent impetus to demolish and demolish in order to build, build, build, and build. In the face of such large-scale, exponential urban development, it’s easy to feel powerless to suggest another path.
However, in publishing Anatomy of a Chinese City, that is exactly what two young architects have done. By taking the time to observe the “urban artifacts” that make a Chinese city unique, compiling over 100 drawings of everything from buildings to bicycles, Thomas Batzenschlager and Clémence Pybaro have preserved a piece of Chinese history that is quickly going extinct.
In a world where, in the race for progress, quotidian realities are erased unthinkingly, Anatomy of a Chinese City is not just a resource, but a call-to-action, reminding us to slow down and observe the very human context that surrounds us.

ryanpanos:

Anatomy of a Chinese City via Archdaily
In cities around the globe, change happens almost instantly. Buildings rise, buildings disappear, and skylines morph before one’s eyes. There is no better example of this, of course, than China. From Ordos to Shanghai, Chinese cities are in a constant state of flux, as the Chinese people willfully abandon signs of the past and embrace the new.
Of course, it’s one thing to know this fact; it’s quite another to witness it firsthand, to experience this urgent impetus to demolish and demolish in order to build, build, build, and build. In the face of such large-scale, exponential urban development, it’s easy to feel powerless to suggest another path.
However, in publishing Anatomy of a Chinese City, that is exactly what two young architects have done. By taking the time to observe the “urban artifacts” that make a Chinese city unique, compiling over 100 drawings of everything from buildings to bicycles, Thomas Batzenschlager and Clémence Pybaro have preserved a piece of Chinese history that is quickly going extinct.
In a world where, in the race for progress, quotidian realities are erased unthinkingly, Anatomy of a Chinese City is not just a resource, but a call-to-action, reminding us to slow down and observe the very human context that surrounds us.

ryanpanos:

Anatomy of a Chinese City via Archdaily
In cities around the globe, change happens almost instantly. Buildings rise, buildings disappear, and skylines morph before one’s eyes. There is no better example of this, of course, than China. From Ordos to Shanghai, Chinese cities are in a constant state of flux, as the Chinese people willfully abandon signs of the past and embrace the new.
Of course, it’s one thing to know this fact; it’s quite another to witness it firsthand, to experience this urgent impetus to demolish and demolish in order to build, build, build, and build. In the face of such large-scale, exponential urban development, it’s easy to feel powerless to suggest another path.
However, in publishing Anatomy of a Chinese City, that is exactly what two young architects have done. By taking the time to observe the “urban artifacts” that make a Chinese city unique, compiling over 100 drawings of everything from buildings to bicycles, Thomas Batzenschlager and Clémence Pybaro have preserved a piece of Chinese history that is quickly going extinct.
In a world where, in the race for progress, quotidian realities are erased unthinkingly, Anatomy of a Chinese City is not just a resource, but a call-to-action, reminding us to slow down and observe the very human context that surrounds us.

ryanpanos:

Anatomy of a Chinese City via Archdaily
In cities around the globe, change happens almost instantly. Buildings rise, buildings disappear, and skylines morph before one’s eyes. There is no better example of this, of course, than China. From Ordos to Shanghai, Chinese cities are in a constant state of flux, as the Chinese people willfully abandon signs of the past and embrace the new.
Of course, it’s one thing to know this fact; it’s quite another to witness it firsthand, to experience this urgent impetus to demolish and demolish in order to build, build, build, and build. In the face of such large-scale, exponential urban development, it’s easy to feel powerless to suggest another path.
However, in publishing Anatomy of a Chinese City, that is exactly what two young architects have done. By taking the time to observe the “urban artifacts” that make a Chinese city unique, compiling over 100 drawings of everything from buildings to bicycles, Thomas Batzenschlager and Clémence Pybaro have preserved a piece of Chinese history that is quickly going extinct.
In a world where, in the race for progress, quotidian realities are erased unthinkingly, Anatomy of a Chinese City is not just a resource, but a call-to-action, reminding us to slow down and observe the very human context that surrounds us.

ryanpanos:

Anatomy of a Chinese City via Archdaily
In cities around the globe, change happens almost instantly. Buildings rise, buildings disappear, and skylines morph before one’s eyes. There is no better example of this, of course, than China. From Ordos to Shanghai, Chinese cities are in a constant state of flux, as the Chinese people willfully abandon signs of the past and embrace the new.
Of course, it’s one thing to know this fact; it’s quite another to witness it firsthand, to experience this urgent impetus to demolish and demolish in order to build, build, build, and build. In the face of such large-scale, exponential urban development, it’s easy to feel powerless to suggest another path.
However, in publishing Anatomy of a Chinese City, that is exactly what two young architects have done. By taking the time to observe the “urban artifacts” that make a Chinese city unique, compiling over 100 drawings of everything from buildings to bicycles, Thomas Batzenschlager and Clémence Pybaro have preserved a piece of Chinese history that is quickly going extinct.
In a world where, in the race for progress, quotidian realities are erased unthinkingly, Anatomy of a Chinese City is not just a resource, but a call-to-action, reminding us to slow down and observe the very human context that surrounds us.

Olafur Eliasson (yours) For Lina (forever)

Olafur Eliasson (yours) For Lina (forever)

Parrish Art Museum | Herzog & de Meuron

Parrish Art Museum | Herzog & de Meuron

인왕제색도 | 정선 (1676 ~ 1759)

인왕제색도 | 정선 (1676 ~ 1759)